By Milda Urban, Summersalt Yoga founder

Maya Kolega is one of those women artists whose energy is both vibrant and grounded. A photographer and illustrator from Australia, Maya brings warmth, creativity, and curiosity into everything she does. With a passion for capturing people, places, and stories, her work reflects a deep love for the artistic process and human connection. In this interview, we explore Maya’s background, inspirations, and her journey to who she is today.

From Childhood Inspiration to Professional Artist

What’s your background and when and how did you get into art and photography?

I grew up in Port Lincoln, South Australia. When I was young, I often admired my father’s photography work from the 1980s. He taught me how to shoot with film, and I haven’t looked back since. I later completed a Bachelor of Visual Arts, specializing in Photography. Illustration has always been part of my journey too—often merging naturally with my photography.

What is the most important thing for you in your craft?

The entire process is what fuels me—from clicking the shutter to seeing the final image hanging on a gallery wall. It’s deeply satisfying to know your work resonates with others.

The Drive Behind Creative Expression of Women Artists

What inspires you to do your work?

I create because I truly love it. Whether I’m working with people or capturing quiet landscapes, I feel lucky to be one of many women artists doing what they love. Travel, residencies, and community often spark my next steps.

Who do you love photographing the most?

I love capturing people who carry deep stories—those you can sense without a word being spoken.

How would you describe your style?

My work is very composition-driven. What draws me in most is the relationship between light, form, and feeling.

Bridging Photography and Illustration

Can you describe your drawing style, focus, and inspiration?

My illustrations often reflect ideas that I can’t capture through the lens—abstract, emotional, even surreal. This balance between mediums lets me explore more deeply as an artist.

Life Drawing and the Power of Artistic Healing

Why did you start life drawing classes and what do they bring to your practice?

I believe in healing through the act of creation. My life drawing classes aren’t about perfection—they’re about giving people permission to explore and express. For women artists especially, this kind of space offers a moment of self-discovery and empowerment.

Travel as a Muse for Women Artists

What is your most proud achievement so far?

Traveling solo through Europe for seven months in 2016. I completed residencies in Croatia and Spain, exhibited twice, and returned to Australia with new work and perspective. It was transformational.

What places have inspired you the most and why?

I prefer smaller, local places where I can truly connect with people. This intimacy translates into my work, giving it soul and story. Next on my list is the U.S.—I want to experience it beyond what’s shown in the media.

Advice for Aspiring Women Artists

What would you say to someone starting their own creative journey?

Do what brings you joy. For women artists especially, it’s vital to stay rooted in what you love. Rejection is part of the path, but persistence and passion open doors.

Looking Ahead: Future Projects and Aspirations

What’s next for you?

I hope to travel more this year and complete another residency—possibly in the U.S. I’m also working on finishing a personal project called LOCALS, which I plan to turn into a book and exhibition. Studying Art Therapy is also on the horizon.

The Power of Women Artists in the Creative World

Maya Kolega is a shining example of how women artists are shaping the creative landscape with authenticity and passion. Through her photography, illustration, and teaching, Maya fosters connection, healing, and joy. Her journey reflects the power of embracing creativity not just as a profession but as a way of life.

To all women artists out there: keep creating, keep exploring, and trust your vision—your work matters.

This interview was first published in 2017.